A small suite of Max for Live devices for ambient and looping performers. It rides your levels, shapes your effects, launches your loops, and checks the rig before you play. Not a concept: it runs live in Ableton today, on the set you already play.
Hands always win means exactly that: the instant you touch a control, the software yields and stops whatever it was doing. It reads the shared clock but never writes tempo, start/stop, or scenes, because on a shared stage those belong to the room, not a laptop. One button puts the whole rig back where it started.
Each one reads your own set and runs quietly in the background. No template to adopt, no new instrument to learn; they just make the rig you have more reliable and more expressive.
Beat-synced fades and swells across many effects at once, fired from one named clip. The 16-bar wash that used to take three hands is now a single gesture that lands right on the bar.
An auto-level governor that rides your bus levels all night, so stacked loops never clip or drown each other. A limiter squashes the whole mix after it's already too loud; this trims the one bus crowding the stack before it gets there, then gives the level back. The method has pedigree: automatic gain-sharing has run live shows since the 1970s.
Turns any tablet into a loop launcher and health view in a plain browser tab. Nothing to install, nothing to update, nothing to get abandoned in an App Store. Tap a clip; see what's playing and whether the rig is healthy.
Record the loop the way you feel it, then let it snap to the beat after the fact. Keeps the human timing where it helps and fixes it where it hurts.
Subtle drift so held layers evolve instead of sitting still. Backs off the moment your hands move.
A pre-show check the rig runs on itself, so a bad cable or missing device shows up in soundcheck, not mid-set.
A boutique granular pedal, rebuilt inside the set. Clouds, shimmer, and motion on tap.
These aren't mockups. Every screen below is captured from the running rig, fed by the same live telemetry and move engine that drive the set on stage.
Every lane, every clip, live playheads and armed states, all in a plain browser tab. Tap to fire; watch what's playing.
Easier than a hardware looper, deeper than a session view. One rule runs through all of it: the software is a stagehand, never the star.